Take a peek at “Body movement” from 101 Innovative Writing Workouts.
101 Creative Writing Exercises is a collection of creative writing workouts that takes authors on a journey through various kinds and genres while supplying writing strategies, practice, and motivation.
Each exercise teaches a particular concept, and each chapter focuses on a different subject or type of writing: journaling, storytelling, fiction, poetry, article writing, and more. Every exercise is designed to be useful. In other words, you can use these workouts to launch jobs that are predestined for publication.
Today, I d like to share one of my favorite workouts from the book. Enjoy!
Compose a scene between two (or more) characters in which there is no discussion but the characters are communicating with each other through body movement. You can also write a nonfiction piece. Undoubtedly you have experienced nonverbal interaction. Take that experience and explain it on the page.
As an author, you can carefully observe peoples body movement and discover how human beings speak without words so you can bring unmentioned interaction into your writing.Imagine two characters, a males and female, who are total strangers. They are in a bookstore. Their eyes satisfy throughout the space. You would not write “Their eyes locked. They were immediately brought in to each other.” That would be boring and unimaginative. Rather, you would let the scene unfold and explain it to the reader– how their eyes met, how he gulped and she blushed, how they both unexpectedly felt warm, how the two of them slowly worked their way toward the center of the shop until they lastly met in the horror section.
In some cases what people say without really speaking tells us a great deal more than what comes out of their mouths. Using body language to communicate is natural. We all understand it intuitively– some much better than others.
Your scene can be a lead-in to two characters conference or conversing. The scene ought to consist of a minimum of 2 pages of non-dialogue interaction with two or more characters. Here are a few scene starters:
Today, I d like to share one of my preferred exercises from the book. Compose a scene in between 2 (or more) characters in which there is no dialogue however the characters are communicating with each other through body language. Tips: What if one character misinterprets another characters body language?
Variations: As an alternative, compose a scene in which one character speaks and one does not: an adult and a child, a human and an animal.
Every exercise is developed to be practical. In other words, you can utilize these exercises to launch jobs that are predestined for publication.
Applications: There are representations of nonverbal communication in almost all types of storytelling from journalism and bio to narrative and fiction.
Tips: What if one character misinterprets another characters body movement? That could lead to humor or disaster. Perhaps the characters are expected to be doing something else (like in a class where theyre expected to be listening to the instructor) however instead, theyre making faces and gestures at each other. One valuable technique might be to go inside the characters heads, but do not get too brought away with he thought and she wondered as these constructs are basically inner discussion.
A police, detective, or private detective is trailing a suspect through a small town, a big city, a shopping center, amusement park, or other public location.
Strangers are constantly helpful for body language exercises. Think of where strangers are brought together: mass transit, classes, elevators, and official conferences.
Kids in a class arent supposed to be speaking while an instructor is providing a lecture, but they always discover methods to communicate.